UGC Net English Exam Paper 2 June/July 2018
1. Which narrative poem by Lord Tennyson presents the story of a fisherman turned merchant sailor who, after a shipwreck, is marooned on a desert island?
(1) âCrossing the Barâ
(2) âTithonusâ
(3) âEnoch Ardenâ
(4) âMaudâ
Ans: (3) âEnoch Ardenâ
2. In âMemorial Versesâ Matthew Arnold pays tribute to three great poets. Who are they?
(1) Goethe, Shakespeare, Wordsworth
(2) Goethe, Shakespeare, Milton
(3) Shakespeare, Milton, Wordsworth
(4) Goethe, Wordsworth, Byron
Ans: (4) Goethe, Wordsworth, Byron
3. Who among the following English playwrights wrote screenplays on novels such as Marcel Proustâs In Search of Lost Time, John Fowlesâs French Lieutenantâs Woman, and Margaret Atwoodâs Handmaidâs Tale?
(1) John Arden
(2) Edward Bond
(3) Harold Pinter
(4) David Hare
Ans: (2) Edward Bond
4. The years in English literary history between 1649 and 1660 are known as __________.
(1) the Neo-classical period
(2) the Commonwealth period
(3) the Stuart period
(4) the Jacobean period
Ans: (1) the Neo-classical period
5. In R.K. Narayanâs Swami and Friends, which game offers Swami the best kind of emotional release from the strains and pressures of disagreeable circumstances?
(1) cricket
(2) football
(3) tennis
(4) hockey
Ans: (1) cricket
6. William Blake expressed the importance of the particular when he said that âTo Generalize is to be __________. To particularize is the alone Distinction of Merit.â Fill in the blank.
(1) an idiot
(2) a poet
(3) a dreamer
(4) a skunk
Ans: (1) an idiot
7. Which of the following was not a dialect of Old English?
(1) Irish
(2) Northumbrian
(3) Mercian
(4) Kentish
Ans: (1) Irish
8. Anthony Burgessâs last novel, published in 1993, is called A Dead Man in Deptford. Who is the central character to whom the title refers?
(1) Sir Walter Raleigh
(2) Sir Philip Sidney
(3) Christopher Marlowe
(4) Earl of Southampton
Ans: (3) Christopher Marlowe
9. Choose the correct chronological order:
(1) William Caxton prints the first English book – William Shakespeareâs First Folio – John Miltonâs Areopagitica – âTottelâs Miscellanyâ (Songs and Sonnets).
(2) âTottelâs Miscellanyâ (Songs and Sonnets) – William Shakespeareâs First Folio – William Caxton prints the first English book – John Miltonâs Areopagitica.
(3) William Caxton prints the first English book – âTottelâs Miscellanyâ (Songs and Sonnets) – William Shakespeareâs First Folio – John Miltonâs Areopagitica.
(4) William Shakespeareâs First Folio – John Miltonâs Areopagitica – William Caxton prints the first English book – âTottelâs Miscellanyâ (Songs and Sonnets).
Ans: (3) William Caxton prints the first English book – âTottelâs Miscellanyâ (Songs and Sonnets) – William Shakespeareâs First Folio – John Miltonâs Areopagitica.
10. What does the phrase ut pictura poesis from Horaceâs Art of Poetry mean?
(1) âas in painting, so in poetryâ.
(2) âpoetry beggars pictorial descriptionâ.
(3) âas in poetry, so in paintingâ.
(4) âpicture above all poetryâ.
Ans: (1) âas in painting, so in poetryâ.
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11. Who among the following is the author of Account of the Augustan Age in England (1759)?
(1) John Gay
(2) William Hazlitt
(3) Oliver Goldsmith
(4) Samuel Johnson
Ans: (3) Oliver Goldsmith
12. In how many parts did Cervantes publish his novel, Don Quixote?
(1) three
(2) five
(3) two
(4) twelve
Ans: (3) two
13. Lytton Stracheyâs Eminent Victorians carries biographical sketches of writers and public figures.
Identify the list below that correctly mentions those Eminent Victorians.
(1) Cardinal Manning, Florence Nightingale, Thomas Arnold and General Gordon.
(2) A.E.W. Mason, Sir Arthur Quiller Couch, Matthew Arnold, Robert Bridges.
(3) E.F. Benson, Cardinal Manning, Lord Tennyson, Beatrice Webb.
(4) George Harding, General Gordon, Robert Browning, Mrs Humphrey Ward.
Ans: (1) Cardinal Manning, Florence Nightingale, Thomas Arnold and General Gordon.
14. One of the following statements about the eponymous saint of Drydenâs âSong for St. Ceciliaâs Dayâ is incorrect. Identify that statement.
(1) St. Cecilia was a Roman lady, an early Christian martyr.
(2) St. Cecilia was an Armenian devotee of the Christian faith.
(3) St. Ceciliaâs festival is celebrated on 22 November in England.
(4) St. Cecilia was a patroness of music who was fabled to have invented the organ.
Ans: (2) St. Cecilia was an Armenian devotee of the Christian faith
15. Which of the statements on Michael Robertsâs Faber Book of Modern Verse (1936) is not true?
(1) His anthology canonized modern poetry and poets for quite some decades.
(2) The collection begins with the poems of Robert Bridges.
(3) Roberts omitted the Georgian poets in his anthology.
(4) Yeats, Eliot and Pound find a place in the Faber Book of 1936.
Ans: (2) The collection begins with the poems of Robert Bridges.
16. Who among the following proposed that the First Gulf War had never taken place, it was simply a hyperreal, media-generated spectacle?
(1) Richard Rorty
(2) Jean-Francois Lyotard
(3) Jean Baudrillard
(4) Umberto Eco
Ans: (3) Jean Baudrillard
17. Sir Thomas Browneâs Urn Burial was prompted by __________.
(1) the discovery of ancient burial-urns near Norwich.
(2) the contemporary researches on burial rites in Norway.
(3) the death of St. Francis of Assissi and his burial.
(4) the publication of the English Book of Common Prayer.
Ans: (1) the discovery of ancient burial-urns near Norwich.
18. Identify from among the following list those that cannot be called War Fiction.
(a) A Modern Instance
(b) Catch – 22
(c) The Age of Innocence
(d) The Naked and the Dead
(1) (a) and (d)
(2) (b) and (c)
(3) (a) and (c)
(4) (b) and (d)
Ans: (1) (a) and (d)
19. Who among the following writers was not the one identified with The Movement of the 1950âs England?
(1) Roy Fuller
(2) Kingsley Amis
(3) Philip Larkin
(4) Donald Davie
Ans: (1) Roy Fuller
20. Which of the following novels does not belong to Nuruddin Farahâs Blood In the Sun Trilogy?
(1) Maps
(2) Knots
(3) Gifts
(4) Secrets
Ans: (2) Knots
21. In the following series, which one has all the poets correctly matched with their poems?
(1) Ezekiel, âPoet, Lover, Birdwatcherâ; Ramanujan, âSmall-scale Reflections on a Great Houseâ; Dutt, âSunset at Puriâ; Mahapatra, âOur Casuarina Treeâ.
(2) Ezekiel, âSunset at Puriâ; Ramanujan, âSmall-scale Reflections on a Great Houseâ; Dutt, âOur Casuarina Treeâ; Mahapatra, âPoet, Lover, Birdwatcherâ.
(3) Ezekiel, âPoet, Lover, Birdwatcherâ; Ramanujan, âSunset at Puriâ; Dutt, âOur Casuarina Treeâ; Mahapatra, âSmall-scale Reflections on a Great Houseâ
(4) Ezekiel, âPoet, Lover, Birdwatcherâ; Ramanujan, âSmall-scale Reflections on a Great Houseâ; Dutt, âOur Casuarina Treeâ; Mahapatra, âSunset at Puriâ
Ans: (4) Ezekiel, âPoet, Lover, Birdwatcherâ; Ramanujan, âSmall-scale Reflections on a Great Houseâ; Dutt, âOur Casuarina Treeâ; Mahapatra, âSunset at Puriâ
22. From among the following, identify the incorrect observation regarding Ferdinand de Saussureâs seminal distinction between langue and parole.
(1) Parole is the particular language system, the elements of which we learn as children, and which is codified in our grammars and dictionaries, whereas langue is the language-occasion (what A says to B).
(2) A language consists in the interrelationship between langue and parole.
(3) Saussure made this crucial distinction in a study called A Course in General Linguistics (1916).
(4) Langue is the particular language-system, the elements of which we learn as children, and which is codified in our grammars and dictionaries, whereas parole is the language-occasion (what A says to B).
Ans: (1) Parole is the particular language system, the elements of which we learn as children, and which is codified in our grammars and dictionaries, whereas langue is the language-occasion (what A says to B).
23. John Heywood wrote a farcical interlude called The Four Pâs.
Who were the Four Pâs?
(1) a Palmer, a Pedlar, a Pothecary, a Packer
(2) a Printer, a Pedlar, a Pothecary, a Palmer
(3) a Pedlar, a Parson, a Palmer, a Pothecary
(4) a Palmer, a Pardoner, a Pothecary, a Pedlar
Ans: (4) a Palmer, a Pardoner, a Pothecary, a Pedlar
24. In the mechanical drill method of second language acquisition:
(a) The learner has the freedom to choose from many responses.
(b) The learnerâs response is totally controlled.
(c) Comprehension of the item by the learner is not required.
(d) Comprehension of the item by the learner is obligatory.
The right combination according to the code is:
(1) (a) and (d)
(2) (a) and (c)
(3) (b) and (c)
(4) (b) and (d)
Ans: (1) (a) and (d)
25. Thou wilt not wake
Till I thy fate shall overtake;
Till age, or grief, or sickness must
Marry my body to that dust
It so much loves; and fill the room
My heart keeps empty in thy Tomb.
Stay for me there; I will not fail
To meet thee in that hollow Vale.
And think not much of my delay;
I am already on the way.
Which of the following readings do you find appropriate to the spirit of the lines above?
(1) In that interspace between the lines, the ending of one and the beginning of another, there is a silent internal language, the poemâs language-within-language, tacitly signalled through the deployment of rhymed space.
(2) Ageing and dying are of course helplessly passive; but here love makes them as though they were now also willing things in the husband eager to join his dead wife. Through simple intimate tones of their shared earthly life – stay for me, wait for me, I will not fail – he not only imagines her but imagines her thinking of him.
(3) The lyric voice here can feel the poem speaking back to him – in the cold lineal stare of âthere was nothing in my beliefâ – even as his dead wife did not. It is as though the poem itself then demands his response, in order to be able to move from one line to another. To attempt that movement in keeping the poemâs space alive, the lyric voice asserts, âI will not fail/To meet there in that hollow Vale.â
(4) My whole nature was so penetrated with grief and humiliation of such considerations, that, even now, famous and caressed and happy as I am, I often forget in my dream that I have a dear wife who died, leaving me alone in this world. Even that I am a man, and now I wander desolately back to that time of our lives when my wife and I shared moments of bliss.
Ans: (1) In that interspace between the lines, the ending of one and the beginning of another, there is a silent internal language, the poemâs language-within-language, tacitly signalled through the deployment of rhymed space.
26. Match the characters with the novels:
(a) Arthur Seaton (b) Marlene (c) Anna Wulf (d) Beckwith | (i) Top Girls (ii) The Golden Notebook (iii) The Swimming Pool Library (iv) Saturday Night and Sunday Morning |
Code:
(a) (b) (c) (d)
(1) (ii) (iii) (i) (iv)
(2) (iv) (i) (ii) (iii)
(3) (iii) (iv) (ii) (i)
(4) (ii) (iv) (iii) (i)
Ans: (2) (iv) (i) (ii) (iii)
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27. The very last passage of a novel is given below. Identify the novel.
âWelcome, O life, I go to encounter for the millionth time the reality of experience and to forge in the smithy of my soul the uncreated conscience of my race.
April 27. Old father, old artificer, stand me now and ever in good stead.â
(1) To the light house
(2) A Portrait of the Artist as a Young Man
(3) Maurice
(4) Almayerâs Folly
Ans: (2) A Portrait of the Artist as a Young Man
28. Francis Baconâs New Atlantis is about a utopian state called __________.
(1) Asgard
(2) Avalon
(3) Bensalem
(4) Baltia
Ans: (3) Bensalem
29. The 1950âs saw the rise of backlash against modernism and against New Romanticism that became known as The Movement. Which of the following little magazines came to be associated with The Movement?
(a) Departure
(b) New Verse
(c) London Mercury
(d) New Poems
The right combination according to the code is:
(1) (a) and (b)
(2) (c) and (d)
(3) (a) and (d)
(4) (b) and (d)
Ans: (3) (a) and (d)
30. The error of interpreting a literary work by referring to evidence outside of itself, such as the design and purpose of the author is called __________.
(1) Affective fallacy
(2) Intentional fallacy
(3) Authorial fallacy
(4) Synecdochic fallacy
Ans: (2) Intentional fallacy
31. A.R. Ammons parodies a famous poem in his âSwoggledâ
Iâd rather
be
suckled by
an
outworn pagan
than
get my horn
wreathed in
an
old triton.
Which poet, which poem?
(1) John Keats, âOn First Looking into Chapmanâs Homerâ
(2) John Milton, âOn His Blindnessâ
(3) William Wordsworth, âThe World is Too Much with Usâ
(4) Elizabeth B. Browning, âHow do I Love Thee…?â
Ans: (3) William Wordsworth, âThe World is Too Much with Usâ
32. Fanny Burneyâs Evelina carries the subtitle:
(1) or a Naive Ladyâs Entrance into the World
(2) or a Young Ladyâs Entrance into the World
(3) or a Young Ladyâs Exit from the World
(4) or a Bold Ladyâs Entrance into the Hall
Ans: (2) or a Young Ladyâs Entrance into the World
33. What does Philip Sidney call poet-haters in his Defence of Poesie?
(1) misogynists
(2) misanthropes
(3) misnomers
(4) mysomousoi
Ans: (4) mysomousoi
34. Who, among the following, raises the following painful question of longing and belonging?
âWhere shall I turn, divided to the vein?
I who have cursed
The drunken officer of British rule, how choose
Between this Africa and the English tongue I love?â
(1) Derek Walcott
(2) Louise Bennett
(3) Kamau Brathwaite
(4) Wole Soyinka
Ans: (1) Derek Walcott
35. In the 1940âs, a critic and a philosopher produced two influential and controversial papers called âThe Intentional Fallacyâ and âThe Affective Fallacyâ.
Identify them.
(a) Cleanth Brooks
(b) Monroe C. Beardsley
(c) William K. Wimsalt Jr.
(d) R.P. Blackmur
The right combination according to the code is:
(1) (a) and (b)
(2) (b) and (d)
(3) (b) and (c)
(4) (c) and (d)
Ans: (3) (b) and (c)
36. Philip Larkinâs âSad Stepsâ notices âThe way the moon dashes through clouds that blow Loosely as cannon-smoke to stand apart….â
The poem alludes to:
(1) Coleridgeâs âDejection: An Odeâ
(2) The moonlit scenes in A Midsummer Nightâs Dream
(3) Philip Sidneyâs Astrophel and Stella
(4) T.S. Eliotâs âMorning at the Windowâ
Ans: (3) Philip Sidneyâs Astrophel and Stella
37. Match the following opening lines with their respective titles:
(a) âI leant upon a coppice gateâ (b) âA sudden blow: the great wings beating still….â (c) âAmong twenty snowy mountainsâ (d) âI know what the caged bird feels, alas…â | (i) âThirteen Blackbirdsâ (ii) âSympathyâ (iii) âThe Darkling Thrushâ (iv) âLeda and the Swanâ |
Code:
(a) (b) (c) (d)
(1) (iv) (iii) (ii) (i)
(2) (iii) (iv) (i) (ii)
(3) (ii) (i) (iii) (iv)
(4) (i) (ii) (iv) (iii)
Ans: (2) (iii) (iv) (i) (ii
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38. Identify the titles that were published in the 1920âs.
(a) Look, Stranger!
(b) The Tower
(c) The Waste Land
(d) The Road to Wigan Pier
Code:
(1) (a) and (c)
(2) (b) and (c)
(3) (b) and (d)
(4) (c) and (d)
Ans: (2) (b) and (c)
39. This novel is dedicated âTo the railroad of bonesâ and has as its epigraph the line,
âI am the woman they give dead womenâs clothes toâ from Christine Gelineauâs âInheritanceâ.
Identify the novel.
(1) African Psycho by Alain Mabanckou
(2) The Chibok Girls by Helon Habila
(3) The Underground Railroad by Colson Whitehead
(4) The Book of Night Women by Marlon James
Ans: (3) The Underground Railroad by Colson Whitehead
40. An English poet couldnât help the excitement that an historical event caused in his life-time:
Bliss was it in that dawn to be alive,
But to be young was very heaven.
Which poet? What âdawnâ?
(1) W.H. Auden ; the Spanish Civil War
(2) Lord Tennyson ; the Jubilee of Queen Victoriaâs reign
(3) William Wordsworth ; the French Revolution
(4) William Blake ; the Industrial Revolution
Ans: (3) William Wordsworth ; the French Revolution
41. Which novel by John Banville tells the story of a group of travellers who arrive on a small island and stumble upon the house of Prof. Kreutznaer whose relationship to a painting entitled The Golden World by a fictional Dutch artist named Vaublin plays a central role?
(1) Ghosts
(2) The Sea
(3) The Ark
(4) Eclipse
Ans: (1) Ghosts
42. Identify the two plays, usually paired for their critique of the politics of language and acts of police interrogation.
(1) Earthly Powers, The Wanting Seed
(2) Chicken Soup with Barley, Roots
(3) Left-handed Liberty, The Hero Rises
(4) One for the Road, Mountain Language
Ans: (2) Chicken Soup with Barley, Roots
43. Semiotics originated mainly in the works of two theorists. They are:
(a) Charles Sanders Peirce
(b) Mikhail Bakhtin
(c) Ferdinand de Saussure
(d) Valentin Voloshinov
The right combination according to the code is __________.
(1) (a) and (b)
(2) (b) and (c)
(3) (a) and (c)
(4) (c) and (d)
Ans: (3) (a) and (c)
44. Robert Burtonâs Anatomy of Melancholy was published in 1621 and expanded and altered in __________ subsequent editions.
(1) two
(2) four
(3) six
(4) five
Ans: (2) four
45. Which of the following magazines self-consciously created an identity for Vorticists, a group of painters, sculptors and writers?
(1) Blast
(2) The Egoist
(3) The Criterion
(4) New Age
Ans: (1) Blast
46. âIn every cry of every Man,
In every Infantâs cry of fear,
In every voice, in every ban…â
The figure of speech characterized by the repetition of words or group of words at the beginning of consecutive sentences is called __________.
(1) apostrophe
(2) anaphora
(3) incremental repetition
(4) alliteration
Ans: (2) anaphora
47. At whose behest does the Redcrosse Knight undertake his quest in The Faerie Queene?
(1) Glorianaâs
(2) Unaâs
(3) Duessaâs
(4) Prosperineâs
Ans: (1) Glorianaâs
48. In which city did John Ruskin see a paradigm for Victorian Britain?
(1) Vienna
(2) Venice
(3) Rome
(4) Paris
Ans: (2) Venice
49. Which novel of Kazuo Ishiguro is narrated by a Japanese widow living in England and draws on the destruction and rehabilitation of Nagasaki?
(1) An Artist of the Floating World
(2) The Unconsoled
(3) A Pale View of Hills
(4) When We Were Orphans
Ans: (3) A Pale View of Hills
50. Which novel opens thus:
âWhether I shall turn out to be the hero of my own life, or whether that station will be held by anyone else, these pages must show.â
(1) Tristram Shandy
(2) Lady Audleyâs Secret
(3) David Copperfield
(4) Fitz-Boodleâs Confessions
Ans: (3) David Copperfield
51. Traces of the Morality plays are discernible in a play like Dr. Faustus, traces such as __________.
(1) vernacular songs adapting secular themes
(2) its soliloquizing protagonist, Good and Bad Angels and its final moral
(3) its refrains from the Corpus Christi Carol, the complaint of Christ, the lover of mankind
(4) its rhythmical prose, and the presence of a larger narrative rhythm in the Morality plays
Ans:
52. The branch of philosophy that asks the question, âHow do we know what we know?â is __________.
(1) ontology
(2) epistemology
(3) eschatology
(4) phenomenology
Ans: (2) epistemology
53. The eighteenth century practice in England of bookselling was midway between direct patronage and impersonal sales. A patron paid half the cost of a book before publication and half on delivery. The author of the book received these payments directly. The patronâs name appeared in the preface for the book published in this manner.
This practice was known as __________.
(1) Subscription
(2) Contribution
(3) Pre-publication
(4) Remaindering
Ans: (1) Subscription
54. Oxford India has published a volume of Premchand translations in English, The Oxford India Premchand. Who among the following is not one of the translators?
(1) David Rubin
(2) Alok Rai
(3) Gillian Wright
(4) Christopher King
Ans: (3) Gillian Wright
55. Which of the two novels of Jane Austen have the spa town of Bath as a primary location?
(a) Emma
(b) Pride and Prejudice
(c) Northanger Abbey
(d) Persuasion
The right combination according to the code is:
(1) (a) and (d)
(2) (b) and (c)
(3) (c) and (d)
(4) (a) and (b)
Ans: (3) (c) and (d)
56. In the communicative approach to ELT, the development of language learning or teaching involves a shift:
(a) from form-based to a meaning-based approach.
(b) from an eclectic approach to a rigid method.
(c) from teacher-centred to learner-centred classes.
(d) from broad-based competence to specific needs
The right combination, according to the Code is:
(1) (b) and (d)
(2) (a) and (d)
(3) (b) and (c)
(4) (a) and (c)
Ans: (4) (a) and (c)
57. The four Moral Essays of Alexander Pope are addressed to carefully selected figures. Identify the correct group.
(1) Timons, Newton, Martha Blount, Wellington
(2) Lord Cobham, Robert Walpole, Houghton Hall, Chandos
(3) Martha Blount, Lord Cobham, Bathurst, Burlington
(4) William III, John Haydn, Joseph Addison, John Dennis
Ans: (3) Martha Blount, Lord Cobham, Bathurst, Burlington
58. Bertolt Brechtâs Mother Courage and Her Children presents the war-torn Europe as its protagonist as she follows troops with her canteenwagon.
What is the real name of Mother Courage?
(1) Paula Danckert
(2) Anna Fierling
(3) Jane Vanstone
(4) Jani Lauzon
Ans: (2) Anna Fierling
59. From among the following, identify the journal that publishes articles on English language teaching and learning.
(1) University of Toronto Quarterly
(2) Agenda
(3) TESOL Quarterly
(4) English Language Notes
Ans: (3) TESOL Quarterly
60. Arrange the following elegies in English in chronological order.
(1) âElegy Written in a Country Churchyardâ – âAdonaisâ – âThyrsisâ – âIn Memoriamâ
(2) âElegy Written in a Country Churchyardâ – âAdonaisâ – âIn Memoriamâ – âThyrsisâ
(3) âElegy Written in a Country Churchyardâ – âIn Memoriamâ – âAdonaisâ – âThyrsisâ
(4) âAdonaisâ – âElegy Written in a Country Churchyardâ – âIn Memoriamâ – âThyrsisâ
Ans: (2) âElegy Written in a Country Churchyardâ – âAdonaisâ – âIn Memoriamâ – âThyrsisâ
61. Who is the only one of Miltonâs contemporaries to be mentioned by name in Paradise Lost?
(1) Francis Bacon
(2) Johannes Vermeer
(3) Gallileo
(4) King Charles 1
Ans: (3) Gallileo
62. K.S. Maniam is a major writer of Indian origin, writing in English, born and living in Malaysia.
Identify two of his novels from the following list.
(a) The Rice Mother
(b) The Return
(c) Touching Earth
(d) Between Lives
The right combination according to the code is:
(1) (a) and (d)
(2) (b) and (c)
(3) (c) and (d)
(4) (b) and (d)
Ans: (2) (b) and (c)
63. What did Thomas Percy collect in his Reliques?
(1) medieval folklore and lyrics of the Midlands
(2) old songs, ballads, and romances in English and Scots
(3) Highland lore, mostly oral wisdom of the Scots
(4) Romantic idylls, sonnets and odes
Ans: (2) old songs, ballads, and romances in English and Scots
64. Nirad Chaudhuriâs Autobiography of an Unknown Indian concludes with an essay on the course of Indian history. But in the penultimate chapter Chaudhuri concludes the account of events in his life. How does this narrative end?
(1) Chaudhuri ties the knot with his childhood sweetheart and moves from Calcutta to Delhi
(2) Chaudhuri obtains a job in the military accounts department and gives it up because he finds it soul-destroying
(3) Chaudhuri joins the editorial team of a Calcutta newspaper and is upset over the drudgery of a reporterâs life.
(4) Chaudhuri rushes to his ancestral village Bangram on receiving the news of the death of his uncle and recalls his past life.
Ans: (2) Chaudhuri obtains a job in the military accounts department and gives it up because he finds it soul-destroying
65. In John Gowerâs Confessio Amantis, Amans, the lover makes his confession to the priest named __________.
(1) Verito
(2) Genius
(3) Amor
(4) Phoebe
Ans: (2) Genius
66. In Eugene Ionescoâs Chairs, the absurdity is not so much in the banal words that are uttered as __________.
(1) in the large scale use of frightening stage props and lightning effects.
(2) in the absurdist interpretation of them by character after character.
(3) in the fact that they are spoken to an ever-growing number of empty chairs.
(4) in the fact that they are spoken time and again by members of the audience.
Ans: (2) in the absurdist interpretation of them by character after character
67. A half-sentence in Purchas his Pilgrimage triggered off âKubla Khanâ. Whose work was Purchas his Pilgrimage?
(1) Robert Herrick, the poetâs
(2) John Hakluytâs, the collector of travellerâs tales
(3) Samuel Purchas, the London Parsonâs
(4) Edward Purchas, the globe-trotterâs
Ans: (3) Samuel Purchas, the London Parsonâs
68. Based on the life of a thirteenth-century troubadour, from among the following identify the work, that marked a catastrophic failure in Robert Browningâs poetic career, earning him a reputation for impenetrable difficulty?
(1) Paracelsus
(2) Sordello
(3) The Ring and The Book
(4) Paulinm
Ans: (2) Sordello
69. In Tristram Shandy, the Authorâs preface __________
(1) is hawked to the highest bidder.
(2) appears in-between chapters 13 and 14 in Volume II.
(3) is printed in italics in all editions.
(4) appears in-between chapters 10 and 11 in Volume I.
Ans: (1) is hawked to the highest bidder.
70. Evelyn Waugh once complained that T.S. Eliotâs Poems, 1909-1925 was âmarvellously good, but very hard to understand.â The most pessimistic novel Waugh wrote was called __________ and he owed the title to __________.
(1) Black Mischief – âSweeney among the Nightingalesâ
(2) Scoop – âMorning At the Windowâ
(3) Prancing Nigger – Ash Wednesday
(4) A Handful of Dust – The Waste Land
Ans: (4) A Handful of Dust – The Waste Land
71. During the years 1830 to 1850, the illusion of peace in Victorian England was broken by such incidents as ___________.
(1) the Revolution in France and the Chartist Movement in England
(2) the General Strike of 1835 and the Rail Tragedy of 1847
(3) the visionary libertarianism of poets and the lawless embodiment of revolution
(4) the disaster of the Indian Mutiny and the incompetent bungling of the Crimean War
Ans: (3) the visionary libertarianism of poets and the lawless embodiment of revolution
72. Gulliver receives the following response when he boasts about his countrymen:
â… the most pernicious race of little odious vermin that nature ever suffered to crawl upon the face of the earth.â Whose response?
(1) The King of Lilliputâs
(2) The King of Brobdingnagâs
(3) The Governor of Glubbdubribâs
(4) The first of the Houyhnhnmsâs he meets
Ans: (2) The King of Brobdingnagâs
73. In the Inferno Dante, as he travels through the various circles of the hell finds Judas who is unable to speak. What is the reason behind this?
(1) His tongue is transformed into a coiled snake.
(2) His head is battered and so he cannot open his mouth.
(3) Lucifer is chewing on his head.
(4) His tongue is pulled out and nailed on the tree of sin.
Ans: (3) Lucifer is chewing on his head.
74. Assertion (A): Our reality is linguistic, a language mediated reality.
Reason (R): Our perception and understanding of reality are largely constructed by the words and other signs we use.
In the light of the statements above,
(1) Both (A) and (R) are true and (R) is the correct explanation of (A).
(2) Both (A) and (R) are true, but (R) is not the correct explanation of (A).
(3) (A) is true but (R) is false.
(4) (A) is false but (R) is true.
Ans: (1) Both (A) and (R) are true and (R) is the correct explanation of (A).
75. In his book, In Theory, Aijaz Ahmed works out the relations between the three entities:
(1) Classes, Nations, Literatures
(2) Regions, Nation, Languages
(3) State, Religions, Gender
(4) Literature, Print, Theory
Ans: (2) Regions, Nation, Languages
76. In 1660, a group of 12 people including Robert Boyle and Christopher Wren formed what they called the Royal Society. In 1663, it became The Royal Society of London for Improving Natural Knowledge. What was the Societyâs motto?
(1) âIn Him we trustâ
(2) âIn the words of no oneâ
(3) âLighted to lightenâ
(4) âLove conquers all
Ans: (2) âIn the words of no oneâ
â77. Of whom did W.B. Yeats say that âWe were the last Romanticsâ?
(1) The Pre-Raphaelite Brotherhood
(2) The Imagiste poets
(3) His Friends in the Irish Literary Revival
(4) Himself and his lady love, Maud Gonne
Ans: (3) His Friends in the Irish Literary Revival
78. Who wrote The Wandering Jew, a poem in four cantos and the short lyric, âThe Wandering Jewâs Soliloquyâ?
(1) S.T. Coleridge
(2) Lord Byron
(3) Thomas Gray
(4) P.B. Shelley
Ans: (4) P.B. Shelley
79. Where, according to T.S. Eliot, are we likely to find ânot only the best, but the most individual parts of a poetâs workâ?
(1) in the poetâs juvenilia or rejected drafts.
(2) in the best anthologies and scrap-books.
(3) in those parts where the dead poets assert their immortality.
(4) in those parts where the living poets depart from their ancestors.
Ans: (3) in those parts where the dead poets assert their immortality
80. Which of the following is true of The Canterbury Tales?
(1) Chaucer, the pilgrim, narrates Sir Thopasâ Tale only.
(2) Chaucer, the pilgrim, narrates The Tale of Melibee only.
(3) Chaucer, the pilgrim, narrates both Sir Thopasâ Tale and The Tale of Melibee.
(4) Chaucer, the pilgrim does attempt to narrate an unnamed tale but abruptly stops due to the intervention of the other pilgrims.
Ans: (3) Chaucer, the pilgrim, narrates both Sir Thopasâ Tale and The Tale of Melibee.
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81. During the reign of Norman Kings, it was fashionable to speak __________ in upper-class circles in England.
(1) Norse
(2) Latin
(3) Danish
(4) French
Ans: (4) French
82. Who, among the following, collaborated with Purohit Swami in translating the Ten Principal Upanishads into English?
(1) Christopher Fry
(2) Aldous Huxley
(3) Lawrence Durrell
(4) W.B. Yeats
Ans: (4) W.B. Yeats
83. What unique distinction does Ben Jonsonâs âTo Penshurstâ have in the English literary canon?
(1) It is the only distinguished poem in English addressed to the Lords of Penshurst.
(2) It celebrates Philip Sidneyâs elevation to knighthood, Sidney being the youngest scion of the family.
(3) It is one of the first English poems celebrating a specific place, a forerunner to Cooperâs Hill and Windsor-Forest.
(4) It is the first poem in an elegiac series that late Elizabethan poets began on the demise of the Lord of Penshurst.
Ans: 3) It is one of the first English poems celebrating a specific place, a forerunner to Cooperâs Hill and Windsor-Forest.
84. It is well known that in many of his plays, Tom Stoppard has consciously drawn upon earlier, often reputed, works. Match the following Stoppard plays with earlier works whose spirit seems to have informed them.
(a) Rosencrantz and Guildenstern Are Dead (b) Indian Ink (c) Inspector Hound (d) Travesties | (i) Hamlet (ii) A Passage to India (iii) The Mousetrap (iv) Importance of Being Earnest |
Code:
(a) (b) (c) (d)
(1) (iii) (ii) (i) (iv)
(2) (i) (ii) (iv) (iii)
(3) (iv) (iii) (i) (ii)
(4) (ii) (i) (iv) (iii)
Ans: (2) (i) (ii) (iv) (iii)
85. After discovering the truth about his heinous crimes committed in the past, what does Oedipus request as his punishment?
(1) exile
(2) castration
(3) decapitation
(4) blindness
Ans: (1) exile
86. How does Women in Love open?
(1) Rupert Birkin, Lawrenceâs alter ego, is taking a walk in the English Countryside.
(2) The Brangwen sisters, Ursula and Gudrun, are âworking and talking.â
(3) The wedding party gathers at shortlands, the Crichesâs home.
(4) The last lesson is in progress, âpeaceful and stillâ in Ursulaâs classroom.
Ans: (2) The Brangwen sisters, Ursula and Gudrun, are âworking and talking.â
87. Samuel Johnson has the following to say about an English poet:
âThese images are marked by glittering accumulations of ungraceful ornaments: they strike, rather than please. The images are magnified by affectation: the language is laboured into harshness. The mind of the writer seems to work with unnatural violence – âDouble, double, toil and troubleâ. He has a kind of strutting dignity, and is tall by walking on tiptoe. His art and his struggle are too visible, and there is too little appearance of ease and nature.â
Identify the poet.
(1) Thomas Gray
(2) John Dryden
(3) John Milton
(4) Thomas Wyatt
Ans: (1) Thomas Gray
88. âTake the smoking disclaimer issueâ begins Vishal Bharadwaj. âPutting a disclaimer every time somebody smokes on screen is not an answer. If M.F. Hussain had painted a man with a cigar, would you have asked him to put the disclaimer, âCigarette smoking is injurious to healthâ on the paintingâ?
The point Bharadwaj makes with his rhetorical question is the following:
(1) The smoking disclaimer is ineffectual because M.F. Hussainâs painting wouldnât have carried it.
(2) The smoking disclaimer on objects perceived as âartâ is simply superfluous.
(3) The smoking disclaimer is ineffectual because âartâ entertains but does not instruct.
(4) The smoking disclaimer on screen or on an M.F. Hussain painting distracts us from enjoying art.
Ans: (4) The smoking disclaimer on screen or on an M.F. Hussain painting distracts us from enjoying art.
89. According to __________, certain verbs actually âperformâ an act when they are uttered.
(1) Speech Act theorists such as Austin and Searle.
(2) Russian Formalists such as Shklovsky and Propp.
(3) Language theorists such as Sapir and Whorf.
(4) Cognitive linguists such as Lakoff and Johnson.
Ans: (1) Speech Act theorists such as Austin and Searle.
90. Haunted castles, strange noises, and an acceptance of the supernatural with all its trappings mark __________.
(1) metafiction
(2) fantasy fiction
(3) epistolary fiction
(4) gothic fiction
Ans: (4) gothic fiction
91. …. sure it waits upon
Some god oâ thâ island. Sitting on a bank,
Weeping again the King my fatherâs wrack,
This music crept by me upon the waters,
Allaying both their fury and my passion
With its sweet air. Thence I have followed it,
Or it hath drawn me rather….
Which of the following statements on this passage are true?
(a) These lines, spoken by Edgar in King Lear, are part of a long speech delivered on the heath.
(b) These lines, spoken by Ferdinand in The Tempest, describe Arielâs music.
(c) The passage reappears in an altered and ironic version in T.S. Eliotâs Waste Land.
(d) The passage reappears verbatim in W.H. Audenâs Sea and the Mirror.
The correct answer according to the code is:
(1) (a) and (d)
(2) (b) and (c)
(3) (c) and (d)
(4) (a) and (c)
Ans: (2) (b) and (c)
92. Arrange the following plays of Shakespeare according to their periods (early, middle, late…) of composition.
(1) As You Like It, Loveâs Labours Lost, Antony and Cleopatra, The Tempest, Midsummer Nightâs Dream.
(2) Antony and Cleopatra, The Tempest, Midsummer Nightâs Dream, Loveâs Labours Lost, As You Like It.
(3) Loveâs Labours Lost, Midsummer Nightâs Dream, As You Like It, Antony and Cleopatra, The Tempest.
(4) Midsummer Nightâs Dream, Antony and Cleopatra, The Tempest, As You Like It, Loveâs Labours Lost.
Ans: (3) Loveâs Labours Lost, Midsummer Nightâs Dream, As You Like It, Antony and Cleopatra, The Tempest.
93. Who among the following is not a reader-response critic?
(1) Maud Bodkin
(2) Hans-Robert Jauss
(3) Stanley Fish
(4) Wolfgang Iser
Ans: (1) Maud Bodkin
94. Leo Tolstoyâs Anna Kareninaâs closing lines present…
(1) a sad reflection on the unfortunate suicide of Anna which should have been averted.
(2) the enlivening freshness of a rain which has been threatening to break out.
(3) Levinâs affirmation that whatever happens to him, life is not meaningless but unquestionably meaningful.
(4) Vronskyâs lament over the death of Anna which ends on a positive note, affirming the human tendency to pass over the tragic events with hope
Ans: (3) Levinâs affirmation that whatever happens to him, life is not meaningless but unquestionably meaningful.
.
95. Which of the following novels begins with a Prologue under the title âThe Storming of Seringapatamâ, saying âI address these lines written in India – to my relatives in Englandâ?
(1) The Siege of Krishnapur by J.G. Farell
(2) The Moonstone by Wilkie Collins
(3) The Sign of Four by Sir Arthur Conan Doyle
(4) The Jewel in the Crown by Paul Scott
Ans: (2) The Moonstone by Wilkie Collins
96. In âGerontionâ, T.S. Eliot says:
â__________ has many cunning passages, contrived corridors / And issues, deceives with whispering ambitions, / Guides us by vanities.â
What is Eliotâs subject?
(1) History
(2) Politics
(3) State
(4) Religion
Ans: (1) History
Read the following poem and answer questions 97 to 100.
THE MOUNTAIN
My students look at me expectantly.
I explain to them that the life of art is a life
of endless labor. Their expressions
hardly change; they need to know
a little more about endless labor.
So I tell them the story of Sisyphus,
how he was doomed to push
a rock up a mountain, knowing nothing
would come of this effort
but that he would repeat it
indefinitely. I tell them
there is joy in this, in the artistâs life,
that one eludes
judgment, and as I speak
I am secretly pushing a rock myself,
slyly pushing it up the steep
face of a mountain. Why do I lie
to these children? They arenât listening,
they arenât deceived, their fingers
tapping at the wooden desks –
So I retract
the myth; I tell them it occurs
in hell, and that the artist lies
because he is obsessed with attainment,
that he perceives the summit
as that place where he will live for ever,
a place about to be
transformed by his burden: with every breath,
I am standing at the top of the mountain.
Both my hands are free. And the rock has added
height to the mountain.
(Louise Gluck)
97. Whose poetic voice is triggered right from the beginning?
(1) of studentâs
(2) of teacherâs
(3) of criticsâ
(4) of an observerâs
Ans: (2) of teacherâs
98. The speaker brings up the story of Sisyphus specifically by way of glossing __________.
(1) art in life
(2) life in art
(3) endless labor
(4) poetic expectation
Ans: (3) endless labor
99. In its context, the words âtheir fingers / tapping at the wooden desksâ, best represent the studentsâ __________.
(1) lack of protest
(2) lack of interest
(3) show of disrespect
(4) show of impatience
Ans: (2) lack of interest
100. Why does the speaker say that âthe rock has added height to the mountainâ?
(1) because the speaker is already on the top of the mountain.
(2) because both the hands of the speaker are now free.
(3) because the mountain now seems largely incomprehensible.
(4) because she feels that the immensity of the problem has grown.
Ans: (1) because the speaker is already on the top of the mountain
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Answer Key:
Q. No. | Answer | Q. No. | Answer |
1 | 3 | 51 | 2 |
2 | 4 | 52 | 2 |
3 | 4 | 53 | 1 |
4 | 2 | 54 | 3 |
5 | 1 | 55 | 3 |
6 | 1 | 56 | 4 |
7 | 1 | 57 | 3 |
8 | 3 | 58 | 2 |
9 | 3 | 59 | 3 |
10 | 1 | 60 | 2 |
11 | 3 | 61 | 3 |
12 | 3 | 62 | 2 |
13 | 1 | 63 | 2 |
14 | 2 | 64 | 2 |
15 | 2 | 65 | 2 |
16 | 3 | 66 | 2 |
17 | 1 | 67 | 3 |
18 | 1 | 68 | 2 |
19 | 1 | 69 | 1 |
20 | 2 | 70 | 4 |
21 | 4 | 71 | 3 |
22 | 1 | 72 | 2 |
23 | 4 | 73 | 3 |
24 | 1 | 74 | 1 |
25 | 1 | 75 | 2 |
26 | 2 | 76 | 2 |
27 | 2 | 77 | 3 |
28 | 3 | 78 | 4 |
29 | 3 | 79 | 3 |
30 | 2 | 80 | 3 |
31 | 3 | 81 | 4 |
32 | 2 | 82 | 4 |
33 | 4 | 83 | 3 |
34 | 1 | 84 | 2 |
35 | 3 | 85 | 1 |
36 | 3 | 86 | 2 |
37 | 2 | 87 | 1 |
38 | 2 | 88 | 4 |
39 | 3 | 89 | 1 |
40 | 3 | 90 | 4 |
41 | 1 | 91 | 2 |
42 | 3 | 92 | 3 |
43 | 3 | 93 | 1 |
44 | 2 | 94 | 3 |
45 | 1 | 95 | 2 |
46 | 2 | 96 | 1 |
47 | 1 | 97 | 2 |
48 | 2 | 98 | 3 |
49 | 3 | 99 | 2 |
50 | 3 | 100 | 1 |
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